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This carefully crafted ebook: "Pygmalion (Illustrated Edition)" is formatted for your eReader with a functional and detailed table of contents.
Excerpt:
"It is impossible for an Englishman to open his mouth without making some other Englishman hate or despise him." (Pygmalion, Preface)
Named after a Greek mythological character the play was first presented on stage to the public in 1913. In ancient Greek mythology, Pygmalion fell in love with one of his sculptures, which then came to life. Professor of phonetics Henry Higgins makes a bet that he can train a bedraggled Cockney flower girl, Eliza Doolittle, to pass for a duchess at an ambassador's garden party by teaching her to assume a veneer of gentility, the most important element of which, he believes, is impeccable speech. The play is a sharp lampoon of the rigid British class system of the day and a commentary on women's independence and has been successfully adapted into a motion picture and a musical comedy.
George Bernard Shaw (1856 - 1950) was an Irish playwright, essayist, novelist and short story writer and wrote more than 60 plays. He is the only person to have been awarded both a Nobel Prize in Literature (1925) and an Academy Award (1938).

• Sales Rank: #1756800 in eBooks
• Published on: 2015-04-26
• Released on: 2015-04-26
• Format: Kindle eBook

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[W767.Ebook] Download Ebook The Modern Trombone: A Definition of Its Idioms (The New instrumentation ; 3), by Stuart Dempster

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• Sales Rank: #4575253 in Books
• Published on: 1979-12
• Original language: English
• Number of items: 1
• Binding: Paperback
• 112 pages

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8 of 9 people found the following review helpful.
a fascinating virtuoso of imagination and technique
By scarecrow
The post-war avant-garde required an entire cadre of virtuosi to bring into the world the great complexities of innovations.In perticualr the creative focus on the solo unaccompanied work was an intense point of concern and interest. Part of this was labeled "the new virtuosity".And pieces owe their creation to the overwhelming performative skills,persistence and imagination of these soloists.There was not much precedent emamating from the vigours of modernity, in fact there was no unaccompanied work for the trombone or tuba, or french horn until well into the Twentieth century.These virtuosi are too numerous to mention, but certainly William O.Smith was the first to explore multiphonics on the Bb Clarinet in the early Sixties, Bertram Turetsky also found the hidden timbres in the contrabass, almost like a sonic archeologist picking and scraping through the historical baggage of their instruments. Vinko Globokar(avant-garde, and Albert Magelsdorff(free jazz) in Europe both on trombone as well, but their counterpart here in the States was Stuart Dempster, an incredible virtuoso. Composers wrote for him as no other,once they heard him play.He had a real innate gift for the avant-garde, I recall him crawling around the floor of the stage striking matches to create extended sounds in John Cage's "Solo for Sliding Trombone",disassembling the trombone blowing into all the remaining tubes to great mysterious affect. He had premiered dozens of works throughout the Sixties and Seventies by distinguished American composers, Ben Johnnston, Robert Erikson, Jacob Druckman, John Cage, and Luciano Berio his Sequenza #5 which was the high water mark, a piece that today is a standard staple in the literature. Dempster solidifies all this experience in this book actually the first, the premiere work to discuss,multiphonics(singing and playing simulataneously),muting, and extended techniques for the trombone. This instrument has come light years transcending its cumbersome constitution as inhabiting the backwalls of the orchestral placement to enter for a choral like chord. No, now however through the eyes and ears of Dempster's imagination it has become now a complete universe of sound. Chapters here include very practical examples of all these techniques citing the master works of the literature. Although out-of-print I wish the publishers would attempt to update these incredibly valuable works, Phillip Rehnfelt has one on the Clarinet, Bertram Turetsky on the Contrabass, and one on the Flute, a compendium on multiphonics. Dempster now has extended his creativity into the fascinating world of the aborginal tribal instrument (the down under world) of the didjeridu, a long hollowed-out wood tube done by termites in its original form. There is also a plastic version.

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• Published on: 2011-07-07
• Binding: Paperback

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When George is transported to a far-future Earth, he finds himself caught between two very different species of humanity: the Amphibians, dwellers of the deeps, who can also maneuver on land; and the giant Dwellers, rulers of the large island that constitutes the surviving major land mass, whose main settlements lie deep beneath the surface. With the help of one of the Amphibians, George goes looking for any sign of two earlier time-travelers, neither of which has returned - and in the process must survive the strange flora and fauna of this brave new world yet to come.

One of Wright's most imaginative and compelling novels, The World Below still captivates the reader, eight decades after its original publication.

• Sales Rank: #189506 in Audible
• Published on: 2012-05-16
• Format: Unabridged
• Original language: English
• Running time: 560 minutes

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10 of 11 people found the following review helpful.
An Early Classic.
By Dave_42
S. Fowler Wright's 1929 classic novel, "The World Below", is as enjoyable today, as it was when first published. The novel is divided into two books, the first is "The Amphibians", which was first published by itself in 1925 (1924 according to some sources). The second book continues the story started in "The Amphibians', and bears the same title as the novel, "The World Below".

The story is one of time travel, where the narrator travels half a million years into the future in an attempt to find two previous explorers who have failed to return. What he finds is a world as completely different from ours, as ours is different from when dinosaurs roamed the Earth. He encounters several new intelligent peoples whom he names: `The Amphibians', `The Killers', and The Dwellers".

As with the novels of Verne, as well as some of Wells, this story is more adventure than science fiction, but it is very enjoyable and well worth reading. This book was tied for 7th on the Arkham Survey of 'Basic SF Titles' in 1949. It was also ranked 28th on the 1952 Astounding/Analog All-Time Poll for books. Although this work is in the shadow of H.G. Wells "The Time Machine", it is still an intriguing and highly imaginative work worth rediscovering.

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