Selasa, 25 Januari 2011

[C869.Ebook] Free Ebook Japanese Step by Step, Second Edition, by Gene Nishi

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Japanese Step by Step, Second Edition, by Gene Nishi

Build your knowledge of Japanese one step at a time!

Using a clear, step-by-step approach, Japanese Step by Step teaches you how to construct Japanese sentences from the simplest to the most complex. Innovative features make this method the easiest and most effective way to learn to speak and read formal Japanese--the Japanese spoken by educated adults both socially and professionally.

  • Presents a building-block approach based on five sentence patterns.
  • Flow charts simplify verb conjugations and derivations.
  • Kanji and kana characters vertically aligned with romaji accent symbols.
  • Key points compared with English make understanding concepts easier.
  • Gives you access to free 20-minute download of Chapter 1, Syllables and Accent.

“I wish [this book] had been available when I first started to study Japanese over fifty years ago.”
--Sir Hugh Cortazzi, former British Ambassador to Japan

Topics include:
Syllables and Accents; Kana and Kanji; "-Desu"; "-Masu"; Postpositions "-Wa" and "-Ga"; The Uses of V3; The Uses of V2; The Uses of "V2'-Te"; The Uses of "V2'-Ta"; The Uses of "V1-Nai"; Derivative Verbs; Compound Sentences; Complex Sentences

  • Sales Rank: #1002579 in Books
  • Published on: 2010-06-02
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.00" h x .50" w x 7.00" l, .97 pounds
  • Binding: Paperback
  • 256 pages

About the Author
Gene Nishi, a former IBM engineer, is the founder of the Nishi Institute of Language Education for extensive research and practice in Japanese and English education.

Most helpful customer reviews

12 of 13 people found the following review helpful.
Misleading Title + Interesting Approach, but Clear Drawbacks
By Patrick Smith
NOTE: This is a "reprint" *NOT* a the claimed 2nd Edition. The "2nd Edition" is apparently a marketing ploy.

That said...

PROS:

1) Expressions are written in *real Japanese*: All the Japanese expressions in the book are presented in real Japanese (kanji and all). ** pronunciation is given in romji (western alphabet used to represent Japanese), which I think leads to bad Japanese pronunciation, but the author uses a special, codified form of romaji to try to convey the Japanese "tonal accent". ** I get the author's plan, but think it is counter productive as tonal accent isn't that important (different regions of Japan have different tonal patterns anyhow). Monotone is just fine as, due to the utterly massive number of homonyms in Japanese, context is usually what determines what meaning a sound-pattern is representing anyhow. Ditching Romaji completely and instead including an Audio CD would have been *much* better.

2) Conjugations: Japanese is *all* about verbs; a verb all by itself can be a complete sentence. You modify verbs to add "nuance".
For example: tabeRU: eat, tabeNAI: don't eat, tabeTAI: want to eat, tabeTAKUNAI: don't want to eat, ETC.
This book presents a lot of this verb modifications clearly, with several examples, and in a compact location.

3) Flow charts: I imagine that the usefulness of these will vary from person to person. Personally, I don't think that they are remotely critical, but they are interesting and could help certain types of learners.

CONS:

1) BIG CON - no casual speech!!! This book is all about semi-formal business speech. Most books start with this (in my opinion this is a flawed) approach of presenting semi-formal Japanese first and then later covering more casual Japanese -- however this book never covers casual Japanese.
This is big problem for several reasons:
A) 85%+ of real Japanese (what you'll hear on the street, TV, Movies, around the house, during after-work drinks, etc) will be casual Japanese.
B) Advanced Japanese is based on the building blocks of casual Japanese - this applies even to advanced semi-formal Japanese. Example structure of an advance Japanese statement: casual-phrase + link + casual phrase + link + semi-formal ending. So *MOST* Japanese actual requires knowledge of casual speech.
C) If you can only speak semi-formal Japanese, people will feel that you are stiff... and eventually might actually come to view you as rude. They will ultimately expect you to speak with them more casually, in order to show that you are feeling closer kinship to them.
Bottom line: Casual Speech is extremely important to both "getting along" in Japan, and to being able to progress to advanced Japanese.

2) No Audio - Listening to a foreign language is the key to learning how to properly speak a foreign language. And while the author has come up with a clever modified-romaji system to try and visualize the pronunciation, it forces the brain to have to try to digest Japanese, translate the modified-romaji system into some sort of sound structure, comprehend the grammar, etc - all simultaneously. Brains don't tend to like that much processing. I simple audio CD would have been a better, and more accurate way to address the issue that the author was trying to solve.

How I would use this book:
I wouldn't use this as your sole study source. I would use this as a secondary text to help learn more complex verb-form combinations.

8 of 9 people found the following review helpful.
Good book, but needs to be used with other books in order to be successful
By yokanyabuta
It really is a good beginner's to intermediate reference and study book. I've been using it with Japanese Demystified, which is more like a workbook. Together, they work very well. This one covers more words than Demystified, but doesn't have the writing and reading practice that Demystified does. If you're a newbie to Japanese, you might want something a little bit more basic than this one, but if you have had a little bit of Japanese, this one along with any sort of Japanese workbook sort of text will help you a lot.

1 of 1 people found the following review helpful.
Not What I Was Expecting
By Nickolas Morgaan
I bought this looking for a better way to learn Japanese. The book itself is nifty. It is a paperback and is large. The readability is nice. However, I find it difficult to really get into the actual learning. There are vocabulary words all over the thing and they happen somewhat haphazardly within each section. You don't get through reading about one "lesson" without picking up at least another 50 words or more that are new to you. These words are never reintroduced later for practice. The whole thing is also written in English with a lot of romanji cluttering it up. There is no practical learning of the kata other than through the spread out vocab lists that give you either the kana + romanji or the kanji + romanji. It was really disappointing. I still enjoy it, however, because it makes a nice addition to my collection and has some value to it as a learning aid.

See all 10 customer reviews...

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Senin, 24 Januari 2011

[H391.Ebook] Get Free Ebook Long Way Down, by CHARLEY BOORMAN' 'EWAN MCGREGOR

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Long Way Down, by CHARLEY BOORMAN' 'EWAN MCGREGOR

After their fantastic motorcycle trip around the world in 2004, bike fanatics and best friends Ewan McGregor and Charley Boorman couldn’t shake the travel bug. The result was a 15,000-mile adventure throughout the entirety of the African continent on the backs of their trusty BMW motorcycles. Captured here in more than 100 exclusive images are the duo’s most memorable experiences, from managing some of the toughest terrain in the world to meeting a bevy of friendly people and encountering astounding natural beauty. With images taken by Ewan and Charley themselves as well as by internationally renowned photographer Julian Broad, this beautifully illustrated edition vividly documents a trip of a lifetime.

  • Sales Rank: #12668566 in Books
  • Published on: 2007
  • Released on: 2007-10-11
  • Format: International Edition
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.98" h x 1.06" w x 5.83" l, .0 pounds
  • Binding: Paperback
  • 352 pages

Review
'A great book' BELLA

About the Author
Ewan McGregor first came to notice in Shallow Grave. Since then he has appeared in more than thirty films including Star Wars Episodes I and II and Trainspotting. Charley Boorman has appeared in films such as Excalibur, The Emerald Forest and, more recently, The Bunker.

Excerpt. © Reprinted by permission. All rights reserved.
1
Where's Charley?

CHARLEY: I remember the moment it started. It was October 2004, very late one Friday night. We were in the old office in Bulwer Street with boxes all around us, bits of paper, all the office equipment gone. For a few minutes we just stood there reflecting. This is where Long Way Round had all begun, where we'd planned everything, checked and re-checked the maps: it's where we'd first seen the bikes.

It was over, finished: we'd ridden around the world, a mammoth journey; an epic adventure. But it was over now.

The maps were still on the wall and we stood before them once more. Ewan glanced at me.

'What do you reckon, Charley?'

'I don't know.'

'South America, India maybe?'

I looked up at him. 'What about riding through Africa?'

Ewan and I first met on a film set in County Clare more than a dozen years ago, our friendship born out of our passion for motorbikes. We've been best mates ever since. We'd always talked about riding together; France maybe, Spain. But then Ewan walked into a map shop, and over dinner that night we decided to forget France or Spain, we'd go the whole hog and ride around the world. The adventure of a lifetime, the two of us off on a couple of bikes. I wasn't sure we could pull it off; I wasn't sure it would even happen.

But it did. A late-night conversation became a dream, the dream became an adventure and that adventure proved to be a pivotal point in my life.

I grew up in the movie business, but I'm dyslexic...and I mean badly: if it hadn't been for my dad taking a year out to teach me to read, life could've been very hard. Even so, reading for acting parts could be difficult sometimes. Historically I'd enjoyed success in movies like The Emerald Forest, but after Long Way Round the direction of my life altered completely. I found myself in places like the pit lane of Moto GP circuits with heroes like Kenny Roberts grabbing my arm and telling me how much he'd enjoyed watching our journey.

I was no longer just John Boorman's son - in fact my dad rang me up the other day to tell me he'd introduced himself to someone and they'd said, 'Oh, Charley Boorman's dad'.

My career was now in motorcycling - albeit not in a conventional way - and the success of Long Way Round enabled me to live another dream. Ever since I can remember I'd always wanted to race bikes, so together with Russ Malkin, a very good friend and producer/director of Long Way Round, I entered the world's most dangerous race: the 2006 Dakar rally - five days in January where I rode ridiculous distances at ridiculous speeds before an innocuous crash tipped me off and I broke both my hands. (I never made it to the sand dunes and I've unfinished business there.) That dream was over for now, but another was just beginning.

Ewan flew in for the end of the Dakar to congratulate us all (my fellow teammate Simon Pavey had made it all the way to the finishing line). He was joined by film maker David Alexanian, the fourth member of the team that created Long Way Round. There we were in Dakar - all together again. And there in the scorching sun we confirmed what we had first mapped out over a year before in Bulwer Street. The adventure was on again - John O'Groats to Cape Town: we would ride the Long Way Down.

Once my hands were healed, the first thing Ewan and I did was return to the Royal Geographical Society in London, the place where we'd mapped out the first trip. Our bikes parked outside, I took my helmet off. The old red brick building seemed very familiar.

'So here we are again, Ewan. What do we say to them this time?'

He laughed. 'How about: Hi, remember us? We're back for more.'

Inside I quickly recalled how solemn the place felt; the arched windows, blue carpets and the magnificent ancient maps that decked the walls. One in particular dated from 1920 and at the bottom it was engraved with images of the old continent, names and places going back to colonial days when just about every European country fought for a share of the spoils. Ewan pointed to a picture of a guy in a pith helmet in a pretty compromising position with a tribesman. 'Hey, Charley,' he said. 'Here's how you made friends with the natives back then. See, you grabbed a man by his willy.'

In the journey-planning office we met the same assistant we'd spoken to before and she had yet more large-scale maps spread on a mahogany table.

'Have you decided on a route?' she asked us.

I shook my head. 'Nothing definite yet, but we're going to ride down through Europe, I think, probably cross from Sicily.'

'We'd like to follow the Nile,' Ewan added. 'It's one of those journeys, you know; one of the great trips of the world.'

She nodded. 'Sudan is pretty unstable and so are parts of Ethiopia. You'll need to be up on your paperwork.'

I rolled my eyes. 'Jesus, paperwork. The Ukraine, Ewan. Remember?'

'You mean when we waited nine hours to get in - how could I possibly forget?'

'Ethiopia is absolutely beautiful though,' the assistant went on, 'and despite the problems they're really trying to build up tourism. Sudan is full of open spaces, the Africa of the movies, if you like.' She smiled then, a little warily. 'There are security issues, however.'

I cast a glance at Ewan. She was right, as we knew only too well. We'd only just started investigating the route and already knew we'd need armed guards to get us through places like northern Kenya. We were thinking about going into the Democratic Republic of Congo, and weren't sure whether we'd have to go through Zimbabwe. This was going to be a very different journey from Long Way Round, and I think we were only just beginning to realise how different.

Having reacquainted ourselves with the Royal Geographical Society we headed for the wilds of Devon and a weekend's survival course. The weather was shit, a cold, drizzling rain, and to make things even more miserable, Ewan had his tent up before me. He was crowing about it. I mean, he never gets his tent up before me. It was galling. There was some consolation however: he'd put it up at the bottom of a hill and it was raining, which meant there was every chance he'd have a river running through it before long.

After that, we got lost in the 'wild wood' whilst hunting for strategically placed survival rations, and then we had to build shelters from fallen branches and bits of foliage.

Not that we're competitive or anything, but my A-frame and ridge was up, the sides constructed and I was already onto the roof whilst Ewan was still going on about a 'long ridge pole' and the 'bell end' being big enough. After making a wall of branch and fern, the last layer was leaves. Lying inside I could still see daylight and my feet stuck out, though I only discovered that when the instructor kicked them. He proceeded to tell us about a friend of his who went to sleep with his head sticking out of a similar shelter in Africa, only to be woken by a hyena ripping off his face. Our instructor liked telling those kinds of stories: he liked to tell them a lot.

He was complimentary about my shelter, however, testing thestructural quality by climbing right over it while I was lying inside. In his own words, it didn't budge an inch.

Ewan was arranging leaves and ferns and other bits and pieces; like a boy scout he was, having a whale of a time. 'Colour coding confuses your enemy,' I heard him mutter.

Finally he was finished, the branches covered with sprays of fern and leaf. He was stretched out inside and the instructor asked him if he felt confident that it was structurally sound.

Ewan replied that he did.

'Good,' the instructor said, 'because I'm going to walk on it.'

He'd barely shifted his weight when the 'bell end' Ewan had been so proud of collapsed, showering our Jedi Knight in broken branches.

For a moment there was silence. Then from the depths we heard him: 'Yeah, well, I think obviously there's room for improvement. But generally...' We could see his hands, gesticulating from under the crushed ridge. 'I was quite happy with its...you know, I liked the feel of it and it smelled really nice.'

On cue and not without a certain sense of ceremony, the rest of the shelter collapsed; a few moments later Ewan emerged: half a beard, his woollen hat askew.

'Shame,' he said. 'I put a lot of love into that.'

EWAN: What Charley didn't mention was that his A-frame was put together by the instructor. That's why it was so solid. I did mine myself. Not quite the same thing, is it?

The instructor really did like his tales of horror: hyenas eating people; elephants trampling our campsite; not to mention the machete-wielding madmen lurking outside every bar. Having said that, he also told us that despite our laid-back attitude, I was 'wily' and Charley was really 'industrious'.

From Devon, hyenas and elephants, it was Essex and a replica of the border between the Democratic Republic of Congo and Rwanda. Driving down a track in a 4x4 we had the feeling we were about to be ambushed. We were right - just as we were considering potential escape routes a mine exploded in front of the truck.

David Alexanian, who would be joining us on the real trip, was driving. He immediately started backing up. More flash bangs went off, mines, or grenades maybe, exploding behind us.

Now we heard the rattle of gunfire and a man appeared on our right. Heavily built, he approached the vehicle at a crouch, wearing camouflage and carrying an AK-47. We dived for the doors on the passenger side only to find another guy bellowing at us and brandishing not a gun, but a couple of vicious-looking axes.

We piled out of the vehicle. Hands in the air, we tried to talk to the gunmen - a whole gang of them now. We tried to explain about UNICEF, and what we were doing. They weren't listening or didn't understand: they didn't care. Before we knew it we were forced away from the vehicles, our captors demanding money, jackets, our watches.

We'd discussed such a situation with our instructors and they had advised us that in really dangerous areas, convoys of vehicles were put together under armed guard. Our trip was high profile ...

Most helpful customer reviews

6 of 6 people found the following review helpful.
Not great literature, but an enjoyable ride nonetheless
By Luke T. Evans
I've enjoyed both of the "Long Way" books. They're an enjoyable read even if they aren't great literature or exceptional travel writing. Ewan and Charley seem like two great guys and their humanity and down-to-earth natures really show in these stories. Some of the reviews here have been negative, with many of them criticizing the trip's supposed lack of purity in that Ewan and Charley had a support team and a few sponsors. Whatever. If you ask me, the support team was pretty thin, and it's clear that many times they were just winging it and improvising as they went along. This was emphatically not a Camel Trophy-type extraveganza, with flocks of accompanying helicopters, spare vehicles, and squads of mechanics standing by with truckloads of spare parts, and it certainly didn't appear to be a luxury trip by any stretch. Call it a compromise between a full-on expedition (complete with porters and truckloads of "essential equipment") and a threadbare by-the-seat-of-our-pants penniless slog taking many months or even years. Sure, in a perfect world you'd take two years to undergo such a journey, and thus provide yourself with plenty of time to see everything and get to know the people and cultures in great detail. But let's face it, 99.99 percent of us will never be able to pull that off, either due to: 1) family/career obligations; 2) a lack of time; 3) a lack of money; 4) a lack of balls; or 5) all of the above. That's just the way it is. But these guys went out and did it, however imperfectly. That's just fine in my book. Jolly good, blokes!

1 of 1 people found the following review helpful.
A well received sequel!
By Kevin J. Brigandi
In Long Way Round, Charlie and Ewan set the stage for two best friends and their motorcycle journeys across the globe. You get to know the cast and crew in a personal way and see the journey through the eyes of avid adventure motorcyclists. In Long Way Down, they've ditched the whiney trip doctor from the first trip and replaced him with a doctor who better fits the spirit of the team. This film feels more personal to the viewer. Charlie and Ewan are more emotional this time around and the scenery and imagery is amazing. The stories of the journey are heartfelt and you really get a different perspective of how people live with each other and their environment throughout several different countries in Africa. The language is colorful at times for a younger audience (Charlie uses the F word extensively) but the story and journey are worth it. If you are not a motorcyclist, you will probably still enjoy the movie. If you are a motorcyclist, you'll be planning your next trip!

7 of 7 people found the following review helpful.
Another great journey.
By Nathaniel J. Kuhn
Due to scheduling complications with the ferry for the first 1/3rd of the trip, Long Way Down (LWD) had a rushed and more stressful feel to it in comparison to Long Way Round. This led to a slightly less enjoyable experience for the reader/viewer in my opinion.

Nevertheless, this voyage is still Ewan and Charley at their best. These guys enjoy motorcycling and traveling on them so much that they make the best out of any situation.

The way they document the trip is so honest, and really opens you up to their personalities - something you rarely get to see with famous people. It's so honest and humble, yet funny and appropriately opinionated at the same time. The quality of the book - the editing, the photos and the writing are superb in their natural style.

The fact that they take time to do charity work as well as show the world things that most choose to ignore is wonderful. Plus, like the LWR trip - it's an incredible way to show the beauty of our world and politeness of so many of the people in it.

The books and movies are true magic on film - whether or not you like motorcycles or not (i am obsessed), it is nearly impossible to not fall in love with these two guys and their journey of a lifetime.

See all 54 customer reviews...

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Senin, 17 Januari 2011

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Developing Writing Skills in French, by Graham Bishop, Bernard Haezewindt

Designed for intermediate to advanced students, this text equips readers with the necessary skills to write confidently in French in a range of situations. Suitable for use as a classroom text or as a self-study course, it is carefully structured to ensure a better understanding of the effect of choice of words, register and style.

Each chapter contains a selection of model texts, activities and clear notes on the format, style and language demonstrated. Every activity also has a model answer in the key, which also offers advice, explanations and further examples to support the student's learning.

Features include:

* key learning points clearly indicated at the beginning of each chapter
* a rich selection of model texts from a variety of different media.

Based on a well-reviewed Open University course and written by experienced teachers of the language, Developing Writing Skills in French has been trialled with non-native speakers of French to produce a valuable resource that will help students write appropriately for a variety of contexts.

  • Sales Rank: #138215 in Books
  • Published on: 2005-07-14
  • Released on: 2005-05-16
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.69" h x .47" w x 6.85" l, .93 pounds
  • Binding: Paperback
  • 208 pages

Review
'Perhaps the greatest strength of this book lies in its attention to the development of transferable skills ... Given the importance attached in higher education to the development of transferable skills, this is a vital selling point.' – The Times Higher Educational Supplement

About the Author
Graham Bishop is Lecturer in French and German, and Bernard Haezewindt is Lecturer in French, both at the Open University, UK.

Most helpful customer reviews

5 of 5 people found the following review helpful.
Developing Writing Skills in French is an excellent book. It's written entirely in French
By Irene
Developing Writing Skills in French is an excellent book. It's written entirely in French. The written exercises start off being fairly easy and then become progressively more difficult as you go along. So far I've only completed the first ten exercises. However there are a total of of one hundred exercises in the book. In my opinion this book is well worth the price I paid for it. The only thing I wish the author would have done differently is put the answers for each exercise after each exercise, rather than compiling them all into one section at the end of the book. Use of a French-English dictionary or access to one on the Internet is a must for working through this book.

1 of 2 people found the following review helpful.
Five Stars
By Monika M Roske
Excellent book!

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Minggu, 16 Januari 2011

[U698.Ebook] Ebook Free Greek Gems and Finger Rings: Early Bronze to Late Classical, by John Boardman

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Greek Gems and Finger Rings: Early Bronze to Late Classical, by John Boardman

A large and comprehensive account of gem engraving from the Early Bronze Age through to the Hellenistic period. This new expanded edition has been re-issued thirty years after its first publication and includes an Epilogue, 1970-2000, taking account of three decades of research, an additional select bibliography and more illustrations. John Boardman discusses the history of engraving, the subject matter, materials and techniques and their relationship with other artistic media accompanied by black and white drawings, photographs of gem impressions and colour photographs of many of the originals.

  • Sales Rank: #1528260 in Books
  • Published on: 2001-03
  • Original language: English
  • Number of items: 1
  • Dimensions: 12.29" h x 1.61" w x 9.60" l, 5.90 pounds
  • Binding: Hardcover
  • 474 pages

About the Author
About the Editor:
John Boardman is Lincoln Professor of Classical Archaelogy and Art at Oxford University, and editor of the acclaimed Oxford History of The Classical World, which The New York Times Book Review called "the finest one-volume survey available."


Professor and Chair, Department of Cardiopulmonary Sciences, School of Allied Health Professions, Loma Linda University, Loma Linda, CA

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2 of 2 people found the following review helpful.
MYSTERIUM TREMENDUM ET FASCINANS
By Paco Rivero
Greek Gems and Finger Rings is not a book about jewelry, merely; it's about history, archeology, art, and the origins of Western civilization. John Boardman makes a great case for why anyone interested in the ancient Greeks, and particularly their fine arts, should take a careful look at their gems and finger rings. Many if not most of the "gems" and "rings" discussed (and pictured in exquisite detail in the book) are actually seals used by the ancient Greeks (and Minoans) for various purposes: to seal and mark private personal correspondence and documents of state, to seal and identify containers and their goods in commerce. They were also used as heraldry. And yes, sometimes they were just jewelry. In Bronze Age Greece, these seals went from crude glyphs to gorgeous works of art in ivory, gold, precious stones. Some depict religious rituals and gods, scenes from mythology. Or they can depict hunting scenes with people and animals. Boardman takes you chronologically from Minoan/Mycenean to Archaic, Classical, and Hellenistic. He places the gems in cultural and historical context. He obviously has extensive knowledge of the prior literature on the subject, especially the archeological record and matters of provenance. Many of the gems in this book are artistic masterpieces to rival those of any Greek art. Boardman makes a case for them as miniature sculpture. To me they are more interesting than early Greek vase painting, which appears more frequently in books about ancient Greece than these seals, which are rarely shown. What particularly fascinated me was the clear differences in techniques, tastes, and styles from period to period. Comparing, say, the early Minoan and Mycenean seals to those of the Classical period yields some continuities, of course, but also much that is different, even in the way they portray the human (and also non-human) body. For example, the Minoans depicted people as wasp-waisted, with arm and leg joints very tapered, a total contrast to the Classical depictions, which are more realistic even within their idealizations. The Minoan bodies look more flexible, and their style captures a vibrant sense of animation, movement, life. The Classical gems are beautiful, but I found the Minoan gems more interesting. They are certainly more ecstatically alive. I might wonder to what extent the classical Greeks really believed in their gods, but in the case of the Minoan seals I must say they really convey a sense of pagan worship, showing rituals involving bare-chested women holding serpents, little gods materializing above altars. The Minoans and Myceneans are farther back in time than the Classical Greeks, and their art conveys that primordiality, a spirit and attitude towards existence that appear strange to us today as compared with the seals created in subsequent periods. We recognize the classical; its influence is all around us. But the Minoans seem alien, even in the way they dress. The book itself is large, sumptuous, and brimming with over a thousand detailed impressions and photographs. Well worth the price.

0 of 0 people found the following review helpful.
Very professional and thorough study by the writer in his field of expertise.
By Ioannis Hatzantonakis
Very professional and thorough study by the writer in his field of expertise. A lot of examples and museum records.

3 of 5 people found the following review helpful.
Bargain Price on a Beautiful Book
By E. Thienes
Boardman's book is great for looking at Bronze Age, early and classical Greek Gems, but only spends a few pages on Hellenistic Gems and lumps them together with Roman, which was a bit disappointing. Other than that, a beautiful book, almost a complete corpus of gems from the noted period. Very useful.

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Sabtu, 15 Januari 2011

[G621.Ebook] Download PDF Secrets of Jewish Wealth Revealed (Arabic Edition): A Roadmap to Financial Prosperity, by Celso Cukierkorn

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Secrets of Jewish Wealth Revealed (Arabic Edition): A Roadmap to Financial Prosperity, by Celso Cukierkorn

Secrets of Jewish Wealth Revealed (Arabic Edition) Secrets of Jewish Wealth Revealed! A roadmap to financial prosperity, was written to assist anyone who wishes to prosper and live the American dream. Blending humor, personal anecdotes, proverbial wisdom, and biblical references, Secrets of Jewish Wealth Revealed! is a readable guide towards achieving prosperity throughout life's various stages. Rabbi Celso blends Godly wisdom and common sense, offering practical solutions that the Jewish people have used for thousands of years to build and strengthen their financial standing. He also highlights the pitfalls of many of our culture's poor spending habits, even though they've become accepted practices in today's world. "It makes no sense that someone would volunteer to be a slave, but that's exactly what's happening in the United States today," says Rabbi Celso. "Far too many people are signing up to become slaves to their credit card companies." Secrets of Jewish Wealth Revealed! is a program of simple, but essential steps that Rabbi Celso believes will forever change the way people look at their finances, and handle their money. He discloses the eternal truths behind the oldest financial system in history, the one that has survived the test of time: the Jewish approach to financial management.

  • Sales Rank: #6960326 in Books
  • Published on: 2013-06-18
  • Original language: Arabic
  • Number of items: 1
  • Dimensions: 9.00" h x .24" w x 6.00" l, .34 pounds
  • Binding: Paperback
  • 104 pages

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1 of 1 people found the following review helpful.
an amazing resource
By Howie
Wow. I have read Rabbi Celso's book and the English version of this book. This is a very impressive resource. I am very much looking forward to sharing it with many of my colleeagues who speak Arabic. They will be delighted to bring it to their home countries when they visit this year. I know this book will bring much joy to the new readers in Arabic speaking countries.

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Jumat, 14 Januari 2011

[N195.Ebook] PDF Ebook The Heart of Teaching: Empowering Students in the Performing Arts, by Stephen Wangh

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The Heart of Teaching: Empowering Students in the Performing Arts, by Stephen Wangh

The Heart of Teaching is a book about teaching and learning in the performing arts. Its focus is on the inner dynamics of teaching: the processes by which teachers can promote―or undermine―creativity itself. It covers the many issues that teachers, directors and choreographers experience, from the frustrations of dealing with silent students and helping young artists ‘unlearn’ their inhibitions, to problems of resistance, judgment and race in the classroom,.

Wangh raises questions about what can―and what cannot―be taught, and opens a discussion about the social, psychological and spiritual values that underlie the skills and techniques that teachers impart. Subjects addressed include:

    • Question asking: which kinds of questions encourage creativity and which can subvert the learning process.
    • Feedback: how it can foster both dependence and independence in students.
    • Grading: its meaning and meaninglessness.
    • Power relationships, transference and counter-transference
    • The pivotal role of listening.

The Heart of Teaching speaks to experienced teachers and beginning teachers in all disciplines, but is particularly relevant to those in the performing arts, from which most of its examples are drawn. It brings essential insight and honesty to the discussion of how to teach.

  • Sales Rank: #937880 in Books
  • Published on: 2013-02-10
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.43" h x .53" w x 5.42" l, .50 pounds
  • Binding: Paperback
  • 176 pages

Review

‘Stephen Wangh tackles an important but rarely discussed aspect of performance teaching. He brings a particular set of hard-won insights based on extensive teaching and personal experience, and doesn’t shy away from teasing out the difficult personal lessons drawn from that experience.’ – Anthony Jackson, University of Manchester, UK

‘…readable, interesting and makes a useful contribution to education and training…Wangh is interested in the inner dynamics of teaching and the processes by which teachers can promote – or undermine – creativity. So he discusses ways of bringing out diffident students or helping those who need to, to shed some of their inhibitions and learn to be more open-minded. He is also strong on dealing with matters such as race, judgment and resistance – all issues which apply to performing arts teaching at any stage or level. So there’s something here for drama teachers of all sorts. I was especially taken, given what noisy places many classrooms are, with his thoughts about listening and silence.’ – Susan Elkin,The Stage, UK

'In his 40-plus years of teaching actors, Stephen Wangh has admirably earned the title of Master Teacher. I have had the pleasure of experiencing his mastery in a variety of contexts and can attest to his extraordinary yet humble ability to empower students...The Heart of Teaching seems to me an invaluable guide as well as an essential provocation. Not only is it a welcome and timely one, but more importantly one that is able to provide inspiration and encouragement when teachers inevitably face the 'travails' of teaching.'  – Bryan Brown, Theatre, Dance and Performance Training

'[The] process of empowerment cannot be reduced to a series of pedagogical steps to be mastered and applied uniformly to every student. On the contrary, every student's circumstances are unique, constituting only an invitation to improvise within a student-oriented framework, and Wangh guarantees nothing. The author is as forthcoming about his mistakes and failures as he is about his successes. No doubt his success is due, in part, to innate ability and an empathic personality. But Wangh's teaching is also marked by a generosity of spirit, humility, and compassion, and his reflections on teaching certainly reward the reading.' Scott Phillips, Theatre Topics

'As someone who experienced Wangh’s teaching firsthand as an undergraduate acting student and having since dedicated myself to theatre historiography and performance studies, I found a strong resonance in the pedagogical philosophy expressed within The Heart of Teaching. Simultaneously recognizable and surprising, the scenarios and tactics Wangh discusses will challenge new and seasoned teachers to continue playing and experimenting with the art of pedagogy.' ― Will Daddario, TDR: The Drama Review

About the Author
Stephen Wangh is a playwright, director and acting teacher. He has taught at Naropa University and Emerson College (https://files.nyu.edu/sw1/public/), and is Arts Professor Emeritus at New York University. He is the author of An Acrobat of the Heart: A physical approach to acting inspired by the work of Jerzy Grotowski.

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0 of 0 people found the following review helpful.
Presence Enlightens
By Em Sevol
Stephen Wangh presents elements of teaching that do not have simple answers. He dives right into the sticky areas, the uncomfortable issues, that create inner conflict in the teacher. The sorts of things all teachers struggle with and can't talk about. By creating space for the issues to unpack he sets the stage for your own drama to find its feet in the world and learn to walk. This is not a book of quick fixes but an invitation to deep inner exploration of both self and student, which gives you the ability to begin to create your own maps of human relationship and to pass that skill on to your students. It's an invitation to be present and to be human and to be yourself. Well worth the price. It applies to all teachers and all students.

As a student I have always had issues with all my teachers. The teacher student relationship is complex and intimate in unexpected ways. Essentially as a student I am often reweaving my soul. I am grateful for clarity in vulnerability that helps me see the other side. I highly recommend this for students too.

0 of 0 people found the following review helpful.
Well worth one's time!
By JK
I absolutely loved this book. I have been teaching for more than 30 years and this was the first book I encountered that focused exclusively on teaching theatre. I fully appreciated the tone and approach taken in the book by the author. A great read!

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T.S. I Love You...2 Lucky Girls, by The Amanoja 9

  • Sales Rank: #16281945 in Books
  • Published on: 2005
  • Binding: Paperback

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Selasa, 11 Januari 2011

[X890.Ebook] Download The Woodlanders, by Thomas Hardy

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The Woodlanders, by Thomas Hardy

This book was converted from its physical edition to the digital format by a community of volunteers. You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

  • Published on: 2012-05-16
  • Released on: 2012-05-16
  • Format: Kindle eBook

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15 of 15 people found the following review helpful.
A Hardy for Even Non-Hardy Lovers
By Christina Dudley
Another beautiful Hardy read, and--not to give any spoilers--a comparative frolic. Not as skippy-happy (for Hardy) as FAR FROM THE MADDING CROWD, to be sure, but not such a downer as JUDE THE OBSCURE.

Lovely Grace Melbury is educated above her humble family's station in the woodlands of Little Hintock, making her too good in her father's opinion (and occasionally her own) for her childhood friend and sweetheart Giles Winterborne. Grace then comes to the attention of the fascinating dilettantish doctor Fitzpiers, and the Hardy Tragedy Train is set in motion. Whoo whoo! All aboard!

Wonderful collection of characters, rich setting, and a careful plot make this a worthwhile read. Highly recommend.

Note on the free Kindle edition: in contrast to many other free classics, this one has far, far fewer bizarre and distracting typos.

16 of 17 people found the following review helpful.
an incredible story
By Danielle
This book follows life in a country town in the 1800's. This book has it all love, scandal, deceit, and so much more. The characters come to life. I couldn't put it down. I would recommend this book to anyone.

4 of 4 people found the following review helpful.
The Woodlanders
By Christine Lundstrom
Hardy's poetic language takes you to the 19th century English countryside, and a movie plays in your inward eye. You learn that status and class, so important to some, have little effect on heroic or villainous behavior. Hardy has psychological insight into both the male and female psyche, and his knowledge can be applied today. He portrays reality. As an English professor, I find that reading Hardy's novels expands my vocabulary and exercises my brain. I am reading it on Kindle, where I can touch upon an unfamiliar word, but Hardy's vocabulary is ancient and vast, so sometimes there is no definition found. If you loved Tess of the D'Urbervilles, read The Woodlanders. It's a complex, psychological novel, with unexpected twists and no neat, happy ending.

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Kamis, 06 Januari 2011

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Is It All in Your Head?: True Stories of Imaginary Illness, by Suzanne O'Sullivan

A neurologist's insightful and compassionate look into the misunderstood world of psychosomatic disorders, told through individual case histories
 
It's happened to all of us: our cheeks flush red when we say the wrong thing, or our hearts skip a beat when a certain someone walks by. But few of us realize how much more dramatic and extreme our bodies' reactions to emotions can be. Many people who see their doctor have medically unexplained symptoms, and in the vast majority of these cases, a psychosomatic cause is suspected. And yet, the diagnosis of a psychosomatic disorder can make a patient feel dismissed as a hypochondriac, a faker, or just plain crazy.
 
In IS IT ALL IN YOUR HEAD? neurologist Suzanne O'Sullivan, MD, takes us on a journey through the world of psychosomatic illness, where we meet patients such as Rachel, a promising young dancer now housebound by chronic fatigue syndrome, and Mary, whose memory loss may be her mind's way of protecting her from remembering her husband's abuse. O'Sullivan reveals the hidden stresses behind their mysterious symptoms, approaching a sensitive topic with patience and understanding. She addresses the taboos surrounding psychosomatic disorders, teaching us that "it's all in your head" doesn't mean that something isn't real, as the body is often the stand-in for the mind when the latter doesn't possess the tools to put words to its sorrow.

The perfect book for fans of Oliver Sacks, Is It All in Your Head? encourages us to look with compassion at the ways in which our brains act out, and to acknowledge the intimate connection between mind and body.

  • Sales Rank: #15769 in Books
  • Published on: 2017-01-17
  • Released on: 2017-01-17
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.40" h x 1.06" w x 6.30" l, 1.25 pounds
  • Binding: Hardcover
  • 304 pages

Review
Winner of the 2016 Wellcome Book Prize

“…thoughtful and stimulating … The whole-life stories that Dr. O’Sullivan tells are compelling, but they are also carefully chosen. The range of diagnoses allows her to explicate much of the history and contemporary understanding of psychosomatic disorders and symptoms…a wise book.” –WALL STREET JOURNAL
 
“Each chapter of this book presents a case study, lending vivid life to patients with psychosomatic disorders, along with extensive context for everything including the bygone diagnosis of 'hysteria' and the dawn of neurology as a medical profession....If empathy is bolstered by understanding, then this book will bring such sentiments to a rarely understood condition. It will engage readers' heads, but also quite possibly enter their hearts.” —PUBLISHERS WEEKLY
 
“An intriguing look at how mental processes affect and alter our views—and feelings—of health and illness.” –KIRKUS
 
“…an illuminating account of psychosomatic disease by Suzanne O’Sullivan, a neurologist. Psychosomatic illness is not fully understood, but stress and traumatic events, such as rape and domestic violence, are suspected to be a cause. That may be why it is more common in women than men. Ms. O’Sullivan unravels her patients’ past to explain how memories lodged in the subconscious—from a child’s death to a broken bone—can command debilitating physical illness, in some cases many years later. Psychosomatic diseases are ubiquitous and cost health systems a fortune (twice the cost of treating diabetes in America in 2002, for example), yet medical textbooks relegate them to footnotes. Patients reject the diagnosis as laden with stigma. Ms. O’Sullivan’s book is a plea for change. Huge suffering could be averted if patients, doctors and everyone else stopped viewing them as diseases that are not ‘real’.” –THE ECONOMIST
 
“O’Sullivan illuminates one of medi­cine’s most fraught moments, when a physician reaches the conclusion that there is no physical (or “organic”) disease…[She] cleverly invokes a uni­versal experience…Our mind can forcefully speak through our body not only in distress, but in joy.” —NEW YORK REVIEW OF BOOKS
 
“This fascinating casebook with historical insights--compiled by a seasoned neurologist who is now a consultant at the National Hospital of Neurology and Neurosurgery in London--offers a thorough examination of the significant yet complicated role emotions play in physical illness and the stigmas attached to psychosomatic disorders…the stories in Is It All in Your Head? are intellectually and factually diverse…the delivery and impact of a psychosomatic diagnosis and subsequent patient response further tug emotionally at readers. O'Sullivan never trivializes the patient or what he or she is experiencing. Rather, she respects the strength of her patients and encourages them to find ways to address underlying psychological problems in order to overcome some incredible--some might even call them mind boggling--challenges in life.” – SHELF AWARENESS

“Doctors’ tales of their patients’ weirder afflictions have been popular since Oliver Sacks . . . Few of them, however, are as bizarre or unsettling as those described in this extraordinary and extraordinarily compassionate book.” —James McConnachie, Sunday Times

“An important study of psychosomatic illness, which shows it to be a serious disease of modern society: misunderstood, misdiagnosed, and surrounded by fear.” —Louise Carpenter, The Telegraph

“Honest, fascinating, and necessary.” —David Aaronovitch, The Times (UK)

“A fascinating glimpse into the human condition . . . a forceful call for society to be more open about such suffering.” —Ian Birrell, Daily Mail

About the Author
Dr. Suzanne O'Sullivan has been a consultant in neurology since 2004, working first at The Royal London Hospital and currently as a consultant in clinical neurophysiology and neurology at The National Hospital for Neurology and Neurosurgery, as well as for a specialist unit based at the Epilepsy Society. She has developed an expertise in working with patients with psychogenic disorders, alongside her work with those suffering with physical diseases, such as epilepsy. This is her first book.

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1 of 1 people found the following review helpful.
This is an important book. People with "medically unexplained ...
By DJE
This is an important book. People with "medically unexplained symptoms" MUS are very common; yet physicians rarely know how to help them. If the book had references and and index, I would have given it 5 stars. It is most valuable to physicians and medical students, in my opinion.

1 of 1 people found the following review helpful.
Important and informative
By Sara H
This is fascinating information that made me think about the people I know and also myself. I don't know why it is such an unbelievable science, except that medicine relies sadly on drugs and money instead of thoughtfulness.

1 of 1 people found the following review helpful.
Four Stars
By Carol K.
Well written, describes problem well, could have had more information on how interventions were helpful.

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